MUSC 327/ASIA 335: Cantonese Music

This course explains tonal and melodic correlations between Cantonese language and Cantonese music and accounts for their socio-cultural and political meanings. Using these correlations as a methodological basis, the course provides an historical overview of Cantonese music, from early nineteenth-century Canton to early twentieth-first century Cantonese regions (including Hong Kong, Guangdong, and parts of San Francisco, Vancouver, and New York). The course ends with positioning the broadly defined Cantonese music in the twenty-first century global context.


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Winter 2019

MUSC327 Cantonese Music Sections

A history of musical genres with Cantonese lyrics from the nineteenth century to the present. Topics include music and text relationships, major singers, major genres (narrative songs, Cantonese opera, Cantopop).


In the media

卑大明秋辦粵語音樂課英語教授 讓不同背景學生了解粵語文化 (Ming Pao Daily [Vancouver])


Instructor

Hedy Law graduated from the University of Chicago in 2007 with a Ph.D. in Music History and Theory. In 2005 she received the Howard Mayer Brown Fellowship of the American Musicological Society. In the same year she won the best student paper of the Midwest chapter of the American Musicology Society. She was Collegiate Assistant Professor and Harper-Schmidt Junior Fellow of the Society of Fellows at the University of Chicago from 2007 to 2009. From 2009 to 2012, she was Assistant Professor in Music History at Southern Methodist University in Dallas, where she won a university-wide teaching award. Dr. Law’s essays have appeared in Cambridge Opera Journal, Musique et Geste en France: De Lully à la Révolution, The Oxford Handbook of Music and Disability Studies, The Oxford Handbook of Music and Censorship, and The Opera Quarterly. She is currently working on a book on music, pantomime, and freedom in eighteenth-century France.